These days, I dig more and more in the Kiss catalogue and even if they are a band that wasn't that important for me in my development as a hard rock/heavy metal fan, I am touched by a handful of albums in their discography in a way that only classic albums can touch someone.
Heading into the summer, I'll get a chance to take some records off the shelves that evoke the season for me. Ratt's first full-on LP Out Of The Cellar is one of them, thanks to an infectious series of hits that are best listened to while driving down the coastal highway under the generous Californian sunshine.
Coming off the lengthy "World Pieces Tour" in support of the great Piece of Mind, Iron Maiden didn't take too long to reconvene and write the next chapter of its already rich story. Considered by many as maybe THE ultimate Maiden album (an opinion I don't necessarily share), 1984's Powerslave shows a band firing on all cylinders.
Theatre Of Pain is an interesting album in the career of the Crüe. Released in June 1985, it cemented the Los Angeles quartet as one of the hottest act of the decade thanks in no small part to the Brownsville Station's cover "Smokin' In the Boys Room" and the power ballad "Home Sweet Home" that launched a trend for the remaining of the eighties.
Ah Rebel Yell, what an album! I consider Billy Idol's career a little uneven although every effort he put out from '82 to '90 contains at least one classic but his second solo album definitely is a special record. Let's see here: "Rebel Yell," "Flesh for Fantasy," "Eye Without a Face" as the obvious singles, backed by some guitar fueled killers such as "Daytime Drama," "Crank Call" or "Do Not Stand In The Shadow."
By 1982, things weren't going too well in the Kiss camp. After trying their hand at disco with the fan alienating Dynasty in 1979, and two ill fated records in 1980's Unmasked and 1981's concept album The Elder, Kiss was faced with an internal crisis.
On the cover of the January 1989 issue of NME, Joe Elliott had the right to smile. Over the course of a year and a half, his band managed to smash the sales record set by their previous effort to reach an astonishing 12 millions copies shipped.
"At" the devil, not "with" unconvincingly stated Nikki Sixx in several interviews. Mötley Crüe are not satanist people but "just a rock n' roll band (all right?!)". We are out to send "a positive message!". Sure, we believe him and also realize that he was a genius when it came to marketing and promoting his... Continue Reading →
The loss of a frontman can surely put an end to a great band. Fortunately for us (and for them), after the death of the hilarious and beloved Bon Scott, AC/DC carried on to deliver one of the most powerful and well written album of their career. The classic "Hells Bells" opens the hostilities and... Continue Reading →